It fills in the darkened portions of the face and under the chin, offering you a consistent light quality in your image overall. A softbox diffuses flash to fill in your shadowed areas while keeping your backgrounds bright. This also creates harsh light and appears to emphasize every imperfection and uneven coloration in our subject.
Flash guns external to the camera can create a similar effect, and in those cases, they might even effect only half of the face since they are direct light but shined from an angle. Fill Light also works here. That softens the light and allows you to capture a more natural look. A softbox relies on a light source put inside the box. Their purpose is to provide that Fill Light to overcome any sunlit or camera-driven direct light, which is called Harsh Light.
The light source attaches to the softbox , which is directed toward the subject or bounced off a nearby surface, like a ceiling or wall. Diffusion of the light happens when it passes through a shroud of material across the face. The shape of the softbox is important because it controls the amount of light diffusion, and the larger the softbox surface , the greater the diffusion.
An umbrella reflects the light source. The flash source is aimed at the open umbrella, and the umbrella is aimed at the subject, reflecting back around the light source. It tends to create Harsh Light rather than diffuse it, so they serve a different purpose.
Do you need both? Probably, depending on your shooting subjects and style. Most photographers start with a softbox as they are learning to use light more effectively in their imaging and expand from there. The box part is made of a black material generally impermeable in terms of light release though some come with sides that can be opened to diffuser fabric for multi-directional light use.
The face is made of a diffuser fabric allowing light to escape, and there may be another diffuser fabric baffle inside too. You want a softbox that fits your light source, in this case, speedlights.
This means the one you rely on to provide the majority of your exposure lighting. Consider the types of subjects you usually shoot and how you want an addition of the Primary Light to compensate for what else is happening in the image.
If you want a small area and intense lighting, you want a smaller softbox. If you remember nothing else from this education section, remember this. The smaller the softbox, the narrower and more intense the resulting light source will be. Next, think about where that photography takes place.
Distance does matter, and it works hand in hand with the size of your softbox. If you change the size of your softbox without changing the distance to your subject, the nature of the diffused light changes. The smaller the box and the closer it is to the subject, the more intense the lighting effect. Closer is more intense, while further covers a larger area but is less intense.
More intense light sharpens the edges of shadowed areas and emphasizes imperfections in the subject. You will find many plans online for softboxes, since photographers have been making them for generations. Early models were clunky and inconsistent in terms of the light they produced.
This is a tough section to write, because narrowing down a single set of comparative criteria is kind of like asking you to pick your favorite photo you ever took — ever.
You have a range to review, covering most softbox-styled lighting needs. Here are the criteria we used to select our buying guide recommendations for the best speedlight softboxes. Please keep in mind that in some cases, these softboxes come in various kits and multipacks as well as shipping alone, and the attachment ring may be sold separately if it is not universal.
There are a number of different ways to categorize softboxes, by mounting method, size, or style. Because size matters, we give you the exact dimensions of the softbox. Size is a choice, and bigger might not be better based on your needs and applications. In some cases, a softbox can accommodate multiple speedlights based on its ring mount system. Ranking softboxes for durability is subjective. The higher the durability, the more likely this softbox is to stand up to wind outdoors or regular active use.
Thanks for the article! Very helpful. I was wondering what the best attachment would be for the neweer softbox. I have some speed lights that I use with screw mounts on account of the cheap radio slaves I use.
I also use pocket wizards sometimes too. Maybe just a suggestion for a good all around light stand mount? Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Post comment. Best Speedlight Softboxes. Related posts. Best Light Meter April 19, Best Camera Drones for Beginners February 20, This honeycomb grid fits the old style 65x65cm Ez softbox.
Pairing this with an umbrella bracket sold separately offers an ideal sp.. This is a lightweight carry bag designed to carry a single light stand, umbrella and bracket without adding extra bulk and weight.
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